Sermon Tone Analysis

Overall tone of the sermon

This automated analysis scores the text on the likely presence of emotional, language, and social tones. There are no right or wrong scores; this is just an indication of tones readers or listeners may pick up from the text.
A score of 0.5 or higher indicates the tone is likely present.
Emotion Tone
Anger
0.17UNLIKELY
Disgust
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Fear
0.46UNLIKELY
Joy
0.51LIKELY
Sadness
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Language Tone
Analytical
0.47UNLIKELY
Confident
0UNLIKELY
Tentative
0.53LIKELY
Social Tone
Openness
0.83LIKELY
Conscientiousness
0.07UNLIKELY
Extraversion
0.26UNLIKELY
Agreeableness
0.74LIKELY
Emotional Range
0.3UNLIKELY

Tone of specific sentences

Tones
Emotion
Anger
Disgust
Fear
Joy
Sadness
Language
Analytical
Confident
Tentative
Social Tendencies
Openness
Conscientiousness
Extraversion
Agreeableness
Emotional Range
Anger
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CRITICISM #1: LONG-WINDEDNESS
Pay attention to the other person’s body language while you tell your story.
Are their eyes darting?
Are they slowly crossing their arms and inhaling deeply as you drone on?
Keep your story brief and allow your listener the chance to ask a few follow-up questions.
Leave them wanting more
CRITICISM #2: FUZZINESS
The only thing worse than a long story is a long story that is incoherent.
Here’s a common occurrence: I’ll ask, “How did you come to faith in Christ?”
And in response, I hear half a dozen plot lines about sixteen main characters.
I hear of books they have read and supernatural situations they have experienced and conferences they attended twelve years ago.
Aisles they walked.
Angels who appeared in their bedroom.
Dead relatives they have talked to in the middle of the night.
CRITICISM #3: RELIGIONESE
Words like “salvation,” “born again,” “accepting Jesus,” and “personal Lord and Savior” mean very little to people who aren’t Christ-followers.
I listen to countless stories that sound like they are being told in code/God-talk/religionese. It takes a lot of work to expunge insider jargon from your story, but it’s worth it.
High praise from an unbelieving listener sounds like this: “I understood every word you just said.”
CRITICISM #4: SUPERIORITY
They don’t care about me.
The only thing they care about is getting the roles nailed down: they are the ones with their act together, and I’m the pitiable lost person, substandard in countless ways.
There may be no quicker way to send an unbeliever to the hills than to play the piety card.
If you want to permanently repulse a person from the things of God, try a little superiority on for size.
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> .9