Psalm 19

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Psalm 19: A Song of the Torah and of Creation

We begin today a series that I have, probably wrongly, called Prayers of the Prophets. Over the next few weeks, we’re going to take a look at some of the prayers that are tucked away in the Hebrew Scriptures. I’ve thought about this because we know that prayer is the powerhouse of our faith. Prayer - communication with God - keeps us spiritually alive. I know I’m not brilliant at it, and over since Advent, I have aimed at using my little Celtic Prayer book which I picked up on Lindisfarne. It’s great - short prayers that you can lengthen if you wish - interspersed with helpful Bible readings.
There are a number of little pithy prayers throughout scripture that we might gloss over, so I thought that, at the start of a year, we might have a focus on prayer in the Bible. I know that Phil & Ruth are keen to develop further opportunities for us to pray; and I’m sure there will be more information as we go through 2025.
Today’s message might also feel a bit different in presentation. And this is why: Over the past few months, I have been given access to a new library of theological tomes. As you’ll know, Martin is very ill and he has been putting his affairs in order. Late last year he explained to me that over the years he has collected a number of resources online through a website called Logos, and would I like access to it? There are literally tens of thousands of commentaries and journals and helpful articles that help people to learn more about the Bible.
Coincidentally, Psalm 19 is one of Martin’s favourite psalms and so it is fitting that my first real message of the year uses thoughts from some commentaries in Logos; as well as some of my own thoughts. It may well be that you think this message is differently presented from my usual format - and you might be right. I use more thoughts of some known theologians that I like, as well as others I haven’t met before - C S Lewis and Walter Bruegemann are among my favourite Hebrew scholars. And so we begin a reflection of Psalm 19.
Spirituality of the Psalms Chapter 1: The Psalms and the Seasons of Life

Psalms are organized around three quite general themes: psalms of

Walter Bruegemann states that:
When the creation is celebrated, it is acknowledged to be a well-ordered world. That order depends solely on God’s power, faithfulness, and graciousness. That is why, in the face of the creation, Israel can only yield in praise. But there is more to it. The good order of creation is concretely experienced in Israel as the torah - God’s instructions to the people. The torah is understood not simply as Israelite moral values, but as God’s will and purpose, ordained in the very structure of life. While the creation is sustained by God’s faithfulness, it is also coherent and peaceable because of Israel’s obedient attention to the way God has ordered life. Thus creation and torah are understood together, the torah articulating God’s intention for Israel in the creation.
Psalm 19 is a Psalm of orientation. This psalm has a feeling of the writer, David, being settled and in a good place with God. There’s a sense that the poet wants to share this good news with those around him, in praise of God and creation.
Psalms of orientation were created, transmitted, valued, and relied upon by a community of faithful people, whose faith was both important and satisfying. Such Psalms express a confident, serene settlement of faith issues. Some things are settled and beyond doubt, so that one does not live and believe in the midst of overwhelming anxiety. Such a happy settlement of life’s issues occurs because God is known to be reliable and trustworthy. This community has decided to trust in this particular God. Many of the psalms give expression to that happy settlement, to the reality that God is trustworthy and reliable, and to the decision to stake life on this particular God. And, let me say also, that this is the sense of contentment or settlement that I have noticed in so many faithful folk here, even when they are going through difficulty. I have noticed it most recently in dear Martin.
At the start of a year when we have no idea what is going to happen; and perhaps merely just a few days into the second term of Donald Trump’s presidency and the rest of the world is on tenterhooks to learn how he’s going to work things this time around, perhaps we need something reliable and trustworthy to hold on to in uncertain times. This psalm has a sense of that.
Walter Brueggemann, Spirituality of the Psalms (Minneapolis: Fortress Press, 2002), 23.
Psalms, Volume 1: (Psalms 1–41): An Expositional Commentary Psalm 19: The Big Book and the Little Book: Part 1

C. S. Lewis, who called

Psalms, Volume 1: (Psalms 1–41): An Expositional Commentary Psalm 19: The Big Book and the Little Book: Part 1

What it contains is a profound (and moving) statement of of divine what we know about God, and God’s revelation in nature, and special revelation, in Scripture. The psalm is set in two parts: verses 1–6, then verses 7–11. There is a concluding section which the psalmist applies this revelation to himself (vv. 12–14).

Walter Brueggemann calls these two parts of God’s revelation “The Big Book and the Little Book,” the big book being the universe and the little book the Bible.

This is the meaning of glory in

The psalmist says of the heavens that “day after day they pour forth speech” and of the skies that “night after night they display knowledge” (v. 2). The skies reveal the glory of God every single night of the week, every week of the year, year after year, and they have done this since their creation, which scientists tell us was about 13.8 billion years ago. There has never been a moment in the much shorter history of the human race when the heavens were not testifying to us about God! Try to take that in. This is the hugeness of an eternal God! Recently my brother went to Iceland and I have been amazed at the raw beauty of creation through his photos of red hot lava, snowy icecaps and the awesomeness of the Northern Lights, the aurora borealis. God is quite breathtaking through creation.

The image David portrays in the psalm is literally of a gushing spring that copiously pours forth the sweet, refreshing waters of revelation - the goodness of an eternal being who loves and creates and loves to create, on and on throughout the existence of the universe.

the more one looks, the more the heavens gush forth knowledge.

John Stott calls the sun “a particular example” of the universal witness to God by the heavens. But, of course, it is more than this. As David describes the sun, from his perspective it is “the crowning achievement of God’s creation.”

A “tent for the sun” might be understood as the darkness into which the sun retreats each night and from which it emerges boldly each new day. David compares the sun to a bridegroom in two aspects: “like a bridegroom coming forth from his pavilion” and “like a champion rejoicing to run his course.” In each case, the image conveys the ideas of youthful strength, energy, and physical joy. Of course, David did not know all we know about the sun—how it is a ball of gases, chiefly hydrogen, burning itself up in a vast nuclear reaction, yet destined to continue burning for at least six billion years more, how it is so far away from earth that light radiating from its surface takes eight minutes to get here. Yet strangely, though knowing less about the sun than ourselves, David nevertheless praised God more. He knew that the sun is God’s handiwork and that it displays his glory.

The first part of the psalm, then, is a hymn of praise to God, who has revealed himself in the glories of the universe. It is the most natural thing in the world for the psalm to turn from the revelation in nature, which all human beings possess, to that special revelation of God in Scripture, specifically given to the Jews.

This second, specific revelation in the second part of the psalm is quite superior to the first part that the style of the poem quite naturally changes.

The name used for God changes. In the first half, the name is

The second part of this psalm reminds us of its Hebrew history, where words such as

All these characteristics portray the Bible as words to be honoured and obeyed. That is how David viewed the Bible, as the Word of God to be obeyed.

This is the same relationship found in Paul’s well-known description of the Bible in 2 Timothy: “All Scripture is God-breathed and is useful for teaching, rebuking, correcting and training in righteousness”. Because the Bible is not like other books, because it is “God-breathed,” that it is useful for teaching, rebuking, correcting, and training us. It’s a reminder that the Bible has so much influence and authority in our lives.

The final three verses of this psalm are a concluding section, and in them they show that the psalmist has been learning.

His response to God’s self-revelation falls into two categories.

The first is prayer that God will forgive his sin and deliver him from other sins. David is aware of sin’s subtle nature and complexity, dividing it into categories: errors, which are wrongs innocently committed; hidden faults, that is, faults unknown to himself because so deeply ingrained in his personality, certainly not hidden to God; and wilful or deliberate sins.

David also knows that he can never be fully aware of these sins in order to seek forgiveness unless God reveals their presence to him by the written law.

We might remember the prayer of the tax collector in Jesus’ well-known parable, for although it is less detailed it contains the same essential elements. The tax collector prayed, “God, have mercy on me, a sinner” (

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