The Character of God in His Micro- and Macro-Salvations 2: Mary
Mary's famous prayer, her Magnificat, is structurally and thematically very similar to Hannah's also remarkable prayer in 1 Samuel 2.
David represents the partial fulfilment of Hannah’s prediction of an anointed leader destined to introduce a new world order
The reversal of the personal misery of this barren woman is found in the birth of a child, and in this stunning reversal lies the key to the reversal of Israel’s present situation—not only Israel’s, but the world’s. The poem begins with a renewed Hannah, but by its end there is a vision of a renewed cosmos. This is to be celebrated with delirious joy that results from the birth of a child and it is the birth of children, leading up to a particular person—a king, no less—that will help Israel and the world to reach their destiny.
1. YAHWEH’S MICRO-SALVATION FOR MARY
The reversal of the personal misery of this barren woman is found in the birth of a child, and in this stunning reversal lies the key to the reversal of Israel’s present situation—not only Israel’s, but the world’s. The poem begins with a renewed Hannah, but by its end there is a vision of a renewed cosmos. This is to be celebrated with delirious joy that results from the birth of a child and it is the birth of children, leading up to a particular person—a king, no less—that will help Israel and the world to reach their destiny.
2. YAHWEH’S LOVE FOR ROLE REVERSALS
3. YAHWEH’S MACRO-SALVATION FOR ISRAEL
the camera, previously focused more narrowly on Mary, has suddenly been pulled back to reveal the company of all Israel of which she is a part.
Mary’s Song is a virtual collage of biblical texts. This not only emphasizes its beauty, but also shows how the past can be reemployed to give meaning to the present.
God’s project of transposition is rooted deeply in God’s covenantal relationship with his people. All of these operative words in vv 54–55—servant, remember, mercy, promise, ancestors, and Abraham—point backward to God’s history with Israel, to their election, to their covenantal relationship. In fact, these terms, and especially “mercy,” point even further back, to the nature of God himself. The God Mary praises is the covenant-making God, the God who acts out of his own self-giving nature to embrace men and women in relationship. God remembers … and acts.
Conclusion
Two motifs are held in balance throughout Mary’s Song. The first is the portrait of God as the divine warrior who accomplishes deliverance.29 God is the “Mighty One” who accomplishes “great things,” who shows “strength” and scatters the proud, bringing down the powerful from their thrones and sending the rich away empty. This is the God who engages battle on behalf of his people (cf. Ps 24:7–10; Isa 42:13; Zeph 3:17). At the same time, God is the merciful God of the covenant. He looks with favor and lifts up the lowly, extends mercy to “those who fear him,” fills the hungry, and helps Israel. He acts “in remembrance of his mercy,” remembering his promise to Israel of old. These two images of God are complementary, and coalesce in the theme of transposition: As divine warrior, God acts dynamically against the proud and powerful; as the merciful God of the covenant, God’s dynamic acts are for the sake of those who fear him, the object of his promise, Israel.
God’s project of transposition is rooted deeply in God’s covenantal relationship with his people. All of these operative words in vv 54–55—servant, remember, mercy, promise, ancestors, and Abraham—point backward to God’s history with Israel, to their election, to their covenantal relationship. In fact, these terms, and especially “mercy,” point even further back, to the nature of God himself. The God Mary praises is the covenant-making God, the God who acts out of his own self-giving nature to embrace men and women in relationship. God remembers … and acts.