Sermon Tone Analysis

*Theme                 *God’s Spirit is given anew.

Prelude

Welcome

Call to Worship                                               

Leader: Here we have come together; we have come to worship our risen Lord.

\\ People: Jesus has invited us here, saying to us, “Abide in me as I abide in you.”

\\ Leader: We live in Jesus Christ.

\\ People: Those who abide in Jesus blossom and flourish in God’s wondrous love.

\\ Leader: As we live in Jesus Christ, our lives are transformed and our spirits renewed.

\\ People: We live in Jesus Christ and now we are here to worship and witness to our faith.

~*Hymn of Praise          # 550        When Morning Gilds the Skies

~*Invocation        (the Lord’s Prayer)       Show us the connection between our life and yours, O God. Join us with your Spirit that your life may truly flow through us and among us as we are gathered here.

Unite us in faith now, as we pray,

~*Gloria Patri       # 575

Just by Kids

Our  Offering to God    The flowing of generosity into the world is the sign of God’s love joining with ours.

Let us bring our offerings to God now.

~*Doxology          #572

~*Prayer of Dedication   O God, we bring our gifts to you, the source of all good gifts.

We lift our hearts as we hope for a kinder world in which we can take our part.

Hold high those hopes within us, we pray.

Scripture Reading                Acts 8: 26-40

Guided by the Spirit of God, Philip met an Ethiopian on the road from Jerusalem to Gaza.

Philip joined the stranger in his chariot, discussed scriptures written by Isaiah, and introduced him to Jesus.

When the man from Ethiopia requested to be baptized, Philip baptized him.

~*Hymn of Prayer          # 564        Now Thank We All our God

Pastoral Prayer                O God, we thank you for the example of people like Philip.

We are inspired by his sensitivity to your voice, his desire to move at your direction, the ease with which he connected to a stranger on the road, his knowledge of the Holy Scriptures, the expertise with which he answered the stranger’s spiritual questions, and the enthusiastic spontaneity with which he baptized a new Christian.

We are inspired, but also challenged.

Help us to live so that we may respond to your voice, engage strangers, interpret your word, and celebrate the faith.

~/~/ Gather us in, O God. Clarify our lives so that we choose true life for ourselves and the world.

Connect us to your wisdom so that we can be seen as the blossoming of good and justice for those who wait in barrenness and suffering.

We pray for these people and situations today:

 

~*Hymn of Praise          (insert)      Precious Memories

Scripture Reading                Galatians 1: 6-12

Message            *There's Something about Mary*

by James Emery White

It's rare that we take a service and devote it to a book.

This book is being developed as a major motion picture, opening this Friday./

//The Da Vinci Code/, starring Tom Hanks as religious symbology expert Robert Langdon.

The story begins with the murder of a historian at the Louvre in Paris, and the discovery of a chain of cryptic codes and puzzles.

At the heart of the mystery is a secret that goes back to Leonardo Da Vinci, and even earlier — to the days of Jesus Christ.

The clues of Leonardo's work and the mission of the secret society revolve around the Holy Grail.

This Holy Grail is not put forward as what we traditionally think of as the Holy Grail—the chalice that Jesus used during the Last Supper.

The novel identifies the Holy Grail as the bloodline of Jesus.

The book suggests that Mary Magdalene was the wife of Jesus and the mother of his child.

And because she bore descendants, particularly a daughter by the name of Sarah, she is  the Holy Grail.

After the crucifixion, she fled with their child to the south of France where they established the Merovingian line of European royalty, which then became the basis of a secret society to preserve that bloodline and to protect the secret until it was time to make it known to the wider world.

Along the way, Brown also suggests that the church invented the deity of Jesus and that it's all been covered up primarily by a secretive Catholic group known as Opus Dei.

This is a blend of fiction and historical assertion that suggests the entire foundation upon which Christianity is established is false and a lie.

Look at some of the more radical claims made in this novel.

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Were Jesus and Mary married?

First, consider the claims about Mary and Jesus.

The Bible says that Mary was a devoted follower of Christ, liberated from a terrible torment by Jesus.

She was deeply grateful for that and gave the rest of her life to serving him and his cause.

She was present at his crucifixion and burial, and was the first person Jesus appeared to following his resurrection.

She was charged to bring that good news to the rest of the disciples.

She was a remarkable woman, prominently featured in the New Testament, honored throughout Christian history.

Dan Brown takes what the Bible says and adds to the tale significantly.

He has a character in the novel state that Mary was married to Jesus and that the marriage is a matter of historical record.

That's simply not true.

There is no accepted historical record whatsoever to that effect.

In fact, the leading historian who specializes on the life of Mary Magdalene, Karen King, a professor of history at Harvard University, says that's ridiculous.

There is absolutely no evidence whatsoever of that kind of relationship between Mary and Jesus.

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Are the Gospels wrong?

This brings us to the second major claim that Brown makes, that all the Scriptures in the Bible are just wrong.

He claims that the early church suppressed up to 80 alternate accounts of the life and teaching of Jesus and arbitrarily chose the four we have today in order to suppress accounts that elevated Mary as an apostle or perhaps a goddess.

I can say that no biblical scholar I'm aware of has any knowledge of 80 alternate gospels floating around from the 1st century.

The four gospels we have in the Bible are there because they were credible, both then and now.

These four were universally affirmed as being authentic, eyewitness accounts of Jesus.

For example, one of the four biographers of Jesus, a physician named Luke, writes this at the start of his account.

He said:

Many have undertaken to draw up an account of the things that have been fulfilled among us, just as they were handed down to us by those who from the first were eyewitnesses and servants of the word.

Therefore, since I myself have carefully investigated everything from the beginning, it seemed good also to me to write an orderly account for you, most excellent Theophilus, so that you may know the certainty of the things you have been taught.

And other writers went out of their way to invite accountability by making sure that everybody knew that they were claiming to be eyewitnesses.

The apostle John wrote in one of his contributions to the New Testament: "That which is from the beginning, which we have heard, which we have seen with our eyes, which we have looked at and our hands have touched--this we proclaim concerning the Word of life."

What Brown wants to lift up are those documents that began to be circulated much later than the Gospels of the Bible, no earlier than mid-2nd century.

Those include one that claimed to be the gospel of Mary Magdalene, in which the author writes that Mary was loved by Jesus above all women, that she was a leader among the apostles, that she had been given secret knowledge by Jesus, and that the other apostles, particularly Peter, were all threatened by her.

*Is Mary pictured in /The/ /Last Supper/?*

Brown doesn't just contend that there are secret scriptures but also hidden messages in art.

This is the third claim that we should take note of, particularly Leonardo Da Vinci’s work.

According to Brown, Da Vinci filled his work with signs and clues and hidden symbols all pointing to Mary being the wife of Jesus, carrying his child, and being the Holy Grail, focusing on /The Last Supper/.

Brown claims that in that work of art the apostle shown to the right of Jesus is Mary Magdalene.

When you look at /The Last Supper/ there is very little doubt that the person purported to be the Apostle John in this picture does look a bit feminine.

But this is where Brown didn't do his art history homework.

First, it was very common for artists of that day to portray the Apostle John as young and fair and clean-shaven.

Second, Da Vinci had a tendency to portray all young men in his paintings in a feminine way.

Art historians say this is not Mary Magdalene and never could have been intended as such.

One of the reasons we know that categorically are the preliminary sketches Da Vinci made for this painting.

When you go to Venice and study them, you see that Leonardo labeled each one of the figures he was painting; and he labeled this person /John/, never Mary.

Brown also makes much of there being no chalice.

He claims that Leonardo wanted Mary to be seen as the Holy Grail.

But art historians have pointed out that Brown didn't do his research, because Da Vinci was not painting the moment where the bread and the wine were passed.

The scene was not meant to capture the institution of communion.

What about the secret society that Da Vinci was supposedly a part of?

Documents Brown mentions as being discovered in Paris in the 1970s attesting to the group are now believed by almost all experts to have been forged and planted there.

The hoax was revealed in a 1996 BBC documentary.

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Did the church invent Jesus' divinity?

Then there's Brown's claim about Jesus himself.

Brown has one of his characters saying that almost everything our fathers taught us about Christ is false.