Mother of Harlots
The description and abomination of ecclesiastical Rome.
I. She Displays the Spirit of Antichrist.
A. Drunk with the blood of the saints and martyrs of Jesus.
B. Forcing all to drink the cup of her fornication.
Of primary importance in the study of Babylon is its relation to religion as unfolded in Revelation 17. In addition to materials given in the Bible itself, ancient accounts indicate that the wife of Nimrod, who founded the city of Babylon, became the head of the so-called Babylonian mysteries which consisted of secret religious rites which were developed as a part of the worship of idols in Babylon. She was known by the name of Semiramis and was a high priestess of the idol worship. According to extrabiblical records which have been preserved, Semiramis gave birth to a son who she claimed was conceived miraculously. This son, given the name of Tammuz, was considered a savior of his people and was, in effect, a false messiah, purported to be the fulfillment of the promise given to Eve. The legend of the mother and child was incorporated into the religious rites and is repeated in various pagan religions. Idols picturing the mother as the queen of heaven with the babe in her arms are found throughout the ancient world, and countless religious rites were introduced supposedly promising cleansing from sin. Though the rites which were observed in the Babylonian false religion differed greatly in various localities, there usually was a priestly order which furthered the worship of the mother and child, practiced the sprinkling of holy water, and established an order of virgins dedicated to religious prostitution. Tammuz, the son, was said to have been killed by a wild beast and afterward brought back to life, obviously a satanic anticipation of the resurrection of Christ.
II. She Displays the Veneer of Piousness.
A. The colors of Royalty (Scarlet and purple).
B. The riches of the world (gold and precious stones).
The description of the woman as arrayed in purple and scarlet and decked with gold, precious stones, and pearls is all too familiar to one acquainted with the trappings of ecclesiastical pomp today and especially of high officials in the Roman Catholic and Greek Orthodox churches. Purple and scarlet, symbolically so rich in their meaning when connected with true spiritual values, are here prostituted to this false religious system and designed to glorify it with religious garb in contrast to the simplicity of pious adornment (cf. 1 Tim. 2:9–10). Alford states, “I do not hesitate therefore…to maintain that interpretation which regards papal and not pagan Rome as pointed out by the harlot of this vision.”