Seasons of Ideas: What Is The Church Thinking?! Pt.2
A history of Critical Theory in the church.
Introduction
History
Biblical Studies:
Here was an early example of the historical-critical method which was to play a crucial part in later, especially nineteenth-century, critical discussion.
For although it may be true that recent scholars have succeeded in exposing many of the errors of earlier critics, it must be admitted that as far as assured results are concerned we are no nearer to certainty than when critical study of the Pentateuch began. There is at the present moment no consensus whatever about when, why, how, and through whom the Pentateuch reached its present form, and opinions about the dates of composition of its various parts differ by more than five hundred years
Johann Gottfried Eichhorn in his introduction to the Old Testament (1780–1783) took up and developed Astruc’s approach. He pointed to further stylistic distinctions between the two sources (or “strands”) in Genesis, the “Yahwistic” and the “Elohistic” (subsequently dubbed “J,” from the German spelling Jahve, and “E,” respectively). A further refinement to the theory was made by Karl David Ilgen, who in 1798 anticipated later critical study by arguing that there are in fact not one but two distinct Elohistic sources, so making three sources in all.
This dating of Deuteronomy was to become the cornerstone of the “new documentary hypothesis” generally associated with the name of Julius Wellhausen, but which owed much to his predecessors, especially Eduard Reuss, Hermann Hupfeld, Abraham Kuenen, and Karl Heinrich Graf.
Gunkel was thus not only the first “form critic”; he was also the first “tradition critic.” He did not abandon the Documentary Hypothesis. Rather, Gunkel attempted to trace the gradual combination of the individual stories—especially those concerning the patriarchs Abraham and Jacob—into “circles of Sagen” and their eventual collection in written form by the authors of J and E. This “history of traditions” method was subsequently extended and applied to the whole narrative tradition of the Pentateuch by other scholars, notably Hugo Gressmann.