Trumpets, Pharaohs, and Locusts: Oh My!
ME
WE
GOD
The Mishnah’s explanation of the background of the liturgy of the daily sacrifice in the temple makes even more cogent the association of prayer with the silence in Rev. 8:1 (cf. m. Tamid). The order of the service roughly resembled the order of some of the significant images in the Apocalypse: (1) trimming of the seven lamps (Revelation 1–3), (2) slaying of the sacrificial lamb (Rev. 5:6), (3) pouring of the sacrificial blood at the base of the altar (Rev. 6:9), (4) offering of incense, during a time of silence and prayer (so Luke 1:10; cf. Rev. 8:1, 4–5), (5) the burnt offering and drink offering (Rev. 16:1) together with the sounding of trumpets (Rev. 8:6), and (6) singing of psalms (19:1–8).
Consequently, while the exodus plagues may be conceived as warnings, they are not ultimately meant to cause Pharaoh and the majority of Egyptians to repent but to demonstrate that they are being judged because of their hardness of heart and to demonstrate Yahweh’s incomparability and glory.
The identification of the star as Babylon’s representative angel becomes more convincing if v 10 is understood as alluding to Isa. 14:12–15. There the judgment of the king of Babylon and his nation is said to occur because its guardian angel, “the star of the morning,” has “fallen from heaven, … thrust down to Sheol … to the recesses of the pit.”
The first four trumpet woes could also represent a wide range of sufferings brought on people because of their idolatrous trust in the temporary world system instead of in the eternal God. The sufferings are continual reminders of the impermanence of the idolatrous object of the earth-dwellers’ trust. The sufferings are deficiencies in the world’s resources, which the ungodly depend on to meet their needs. These trials, coupled with actual death, remind them that they are ultimately insecure. The reason for their predicament is their trust in what is unstable.