Sermon Tone Analysis
Overall tone of the sermon
This automated analysis scores the text on the likely presence of emotional, language, and social tones. There are no right or wrong scores; this is just an indication of tones readers or listeners may pick up from the text.
A score of 0.5 or higher indicates the tone is likely present.
Emotion Tone
Anger
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Disgust
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Fear
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Joy
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Language Tone
Analytical
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Confident
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Tentative
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Social Tone
Openness
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Conscientiousness
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Extraversion
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Agreeableness
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Emotional Range
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Tone of specific sentences
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Anger
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Discipline equals Freedom
Obedience to God’s Word is proof of our love for Him.
There are three motives for obedience.
We can obey because we have to, because we need to, or because we want to.
A slave obeys because he has to.
If he doesn’t obey he will be punished.
An employee obeys because he needs to.
He may not enjoy his work, but he does enjoy getting his paycheck!
He needs to obey because he has a family to feed and clothe.
But a Christian is to obey his Heavenly Father because he wants to—for the relationship between him and God is one of love.
“If you love Me, keep My commandments” (John 14:15).
This is the way we learned obedience when we were children.
First, we obeyed because we had to.
If we didn’t obey, we were spanked!
But as we grew up, we discovered that obedience meant enjoyment and reward; so we started obeying because it met certain needs in our lives.
And it was a mark of real maturity when we started obeying because of love.
Sincere
John makes it clear that Christians do not have to sin.
“I am writing these things unto you that you may not sin” (1 John 2:1, NASB).
The secret of victory over sin is found in the phrase “walk in the light” (1 John 1:7).
To walk in the light means to be open and honest, to be sincere.
Paul prayed that his friends might “be sincere and without offense” (Phil.
1:10).
The word sincere comes from two Latin words, sine and cera, which mean “without wax.”
It seems that in Roman days, some sculptors covered up their mistakes by filling the defects in their marble statues with wax, which was not readily visible—until the statue had been exposed to the hot sun awhile.
But more dependable sculptors made certain that their customers knew that the statues they sold were sine cera—without wax.
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